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The script writing´s methods about new religious movement charismatic leader
Miška, Jaroslav ; DUFEK, Jiří (advisor) ; VAJCHR, Marek (referee)
This bachelor thesis deals with the principles of finding a story from the environment of a new religious movement. He carefully analyzes the character of charismatic leader and the characters of his successors. The final result of this thesis, if possible, is going to raise awareness of new religious movements as part of the film's story. In addition, the work deals with the theme of apostate, the nature of the ritual, or the fight against an external enemy. Furthermore, he interprets the way of working with the community space and, last but not least, the process of denomination or, on the contrary, the demonization of the religious movement in the film work.
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Narrative modes of the mind game film from 1990 to 2005
Dvorská, Veronika ; KAJÁNKOVÁ, Lucia (advisor) ; POZZI, Jaroslav (referee)
The thesis examines the context and practical applictations of the narrative modes of the mind game film.
It introduces the reader to broad implications of the modern narration phenomena (where the narrative twists themself are an object of viewer's immersion and suspensions on par with audiovisual attractions).
Later, it uses terms such as perspective, anagnorisis and various types of unreliable narration to further classify and deconstruct the narrative structures of the mind game film as defined by Thomas Elsaesser.
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The motive of selfishness and the possibilities of its displaying in the film August: Osage County
Nováková, Tereza ; DUFEK, Jiří (advisor) ; KAJÁNKOVÁ, Lucia (referee)
The bachelor's thesis deals with the searching of a motive of selfishness in an American film August: Osage County and the tools of displaying this motive in a film work. This thesis is not a film analyse although it could seems like it is. The thesis focuses on one concrete motive which is a main motive in the film. In this kind of focus the thesis analyses every single character, their motivations and the psychological profile of chosen ones
In the first part, I introduce the chosen film, the author of the script and – shortly – the film plot as well. In the second part, I try to analyse the structure of the story based on the work by Linda Aronson, the part of food as a stage proprerty, character's sexual behaviour and their psychological disorders. In the third part, I compare the film adaptation to the original play, which was also written by Tracy Letts, the author of the film sript.
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Lost in Munich: Genesis of Narative Structure
Palkosková, Lucie ; BRDEČKOVÁ, Tereza (advisor) ; KAJÁNKOVÁ, Lucia (referee)
The aim of this work is to analyze and describe the changes, which were made
through the development of the script and try to reconstruct author’s style of
work. The purpose of this research is to better understand how to write a story
with such a complex structure and to verify hypothesis obtained by the analysis
of the film and the versions of the script in an interview with the author himself.
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Auteur Execution of Film Dialogue
Kocábek, Daniel ; KAJÁNKOVÁ, Lucia (advisor) ; VAJCHR, Marek (referee)
This thesis is about auteur execution of film dialogue in screenplays and also in film. By analysing four different feature films, Reservoir Dogs, Chasing Amy, Before Sunset, and Rushmore this work shows how their authors shoot conversational scenes in an innovative manner. The American Independent cinema is briefly introduced as well as the auteur theory. The choice of filmmakers and specific films is explained. The thesis subsequently demonstrates how film dialogue is being viewed by film handbooks and how a conventional dialogue scene looks like. The four analyses are based on all of this information.
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